Immersive movie is fundamentally an urban art form. Much like a city, a film cannot be fully grasped at a glance. Diving into visual narratives, the complete picture remains elusive, always just out of reach. It is an unceasing shift from spatial understanding to emotional engagement. The urban experience extends through time, tied to the affects of moving through rather than mere observation. This experience should be accepted as a continuous transition from internal to external and vice versa. We are perpetually in-between the external and the internal, in an ongoing shift from cognitive to affective. This approach can paves the way for reimagining future architecture through the lens of immersive cinema.